Sony PXW-FS7 XDCAM Super 35 Camera System ( Body )

฿275000

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Sony PXW-FS7 XDCAM Super 35 Camera System ( Body )

PRODUCT HIGHLIGHTS

Super 35 Sized CMOS Sensor

Sony E-Mount

UHD Up to 60 FPS, HD Up to 180 FPS

4096 x 2160 Via External Recorder

XAVC-I, XAVC-L, MPEG-2

XAVC-I Up to 600 Mb/s

Dual XQD Memory Card Slots

Dual HD/3G-SDI & HDMI Output

Ergonomic Handgrip with Camera Controls

Designed as a camera that is at home on productions as diverse as "Cin?ma V?rit?"-style documentaries, reality TV, commercial and corporate applications Sony's PXW-FS7 XDCAM Super 35 Camera System is a flexible 4K camera system. It features a Super 35mm size sensor that allows you to capture images with cinematic depth of field. The camera's E-mount is machined from stainless steel and allows you to use E-mount lenses or with the use of optional adapters to accept most 35mm lenses including PL, EF, Leica, and Nikon. The camera can capture footage to optional on board XQD media cards in either UHD at up to 60 FPS or HD at up to 180 FPS. the camera can capture 4K (4096 x 2160) images and send the signal out over its SDI or HDMI connectors.

The camera records in your choice of XAVC-I, XAVC-L, or MPEG-2. However, MPEG-2 recording does not support the high data rates the camera is capable of generating when shooting in UHD, and is limited to recording HD video only. The camera incorporates Dual XQD media card slots that support simultaneous or relay recording. An ergonomically designed handgrip provides control of many of the camera's functions and features an adjustable length support arm.

The 4K Super35 EXMOR sensor with features 14 Stops of latitude and a wide color gamut. It offers a choice of XAVC or MPEG-2 codecs. The XAVC codec can be used for 4K and HD recording, while MPEG-2 ios limited to HD recording. XAVC comes in two flavors, XAVC INTRA, and XAVC Long, allowing you to encode from HD to UHD using Intra-Frame or Long GoP compression with 10-bit 422 for HD and the choice of 10-bit 422 or 8-bit 420 for UHD. XAVC intra compression is very efficient, recording at modest bit rates and XAVC Long also substantially extends the recording time while attaining very high quality and low noise.

The PXW-FS7 is equipped with an E-Mount machined from solid Stainless Steel for stability and strength. It accepts optional E-Mount lenses from Sony, Zeiss and other manufacturers. The shallow flange distance allows you to mount most 35mm lens types such as PL, DSLR and legacy SLR lenses including Canon EF, Leica, and Nikon as well as many others with mechanical adapters.

The camera body is made from magnesium, which is lighter and stronger than aluminum. This allows the camera body to weigh only four pounds. It's incorporates a shoulder pad and is designed to sit on the operator's shoulder or by extending the support arm of the SmartGrip to be held in front of the operator without requiring a support rig.

The camera includes an ergonomic handgrip that Sony calls a SmartGrip, which features Zoom, Start/Stop and Assign controls. The SmartGrip facilitates camera operation with the right hand, leaving the left hand free to operate the lens. Both the arm and handgrip can be positioned at different angles permitting great flexibility.

FS7 records internally in 4K up to 60fps in UHD 3840x2160 and in HD up to 180fps using XAVC-I or up to 120fps with XAVC-L. Recording Apple ProRes to the internal XQD slots requires an optional EXCA-FS7 extension box and future upgrade.

4K (4096 x 2160) is available over the 3G-SDI outputs or the HDMI 2.0 output of the camera so you can capture the 4096 x 2160 video using an optional external recorder.

The camera features two XQD media slots that support simultaneous or relay recording. The camera also has an SD card slot that is only used for saving configuration data, and cannot be used to record video.

Image Device Super 35mm Single-Chip Exmor CMOS

Effective Picture Elements 17:9 4096 (H) x 2160 (V)

16:9 3840 (H) x 2160 (V)

Signal-to-Noise Ratio 57 dB (Y)

Sensitivity 2000 lx, 89.9% reflectance

T14 (3840 x 2160/23.98p mode 3200K)

ISO Sensitivity

ISO 2000 (S-Log3 Gamma D55 Light source)

Minimum Illumination 0.7 lux: +18dB,23.98P,Shutter OFF,ND Clear, F1.4

Signal System NTSC / PAL

Built-in Filters Clear, 1/4, 1/16, 1/64

LCD Monitor 3.5" / 8.8 cm

Approx: 1.56M dots

Speaker Monaural

Shutter Speed 1/3 to 1/9000 of a sec

White Balance Preset

Memory A

Memory B (1500K-50000K)/ATW

Gain Selection -3, 0, 3, 6, 9, 12, 18 dB, AGC

Gamma Curve STD

User

S-log3

Shooting Formats 4K 4096 x 2160

12-bit RAW

UHD 3840 x 2160

10-bit 4:2:2 XAVC-I

8-bit 4:2:0 XAVC-L

2K 2048 x 1080

12-bit Raw

HD 1920 x 1080

10-bit 4:2:2 XAVC-I

10-bit 4:2:2 XAVC-L

MPEG2 4:2:2

HD 1280 x 720

MPEG2 4:2:2

Audio Recording Format LPCM 24 bits, 48 kHz, 4 channels (Recording/Playback 2 channels)

Recording Formats XAVC-I QFHD MPEG-4 H.264/AVC

59.94P CBG, bit rate 600 Mb/s

50P CBG, bit rate 500 Mb/s

29.97P CBG, bit rate 300 Mb/s

23.98P CBG, bit rate 240 Mb/s

25P CBG, bit rate 250 Mb/s

XAVC-I HD MPEG-4 H.264/AVC

59.94P VBR, maximum bit rate 222 Mb/s

50P VBR, maximum bit rate 185 Mb/s

59.94i VBR, maximum bit rate 111 Mb/s

50i VBR, maximum bit rate 112 Mb/s

29.97p VBR, maximum bit rate 111 Mb/s

23.98p VBR, maximum bit rate 89 Mb/s

25p VBR, maximum bit rate 112 Mb/s

XAVC-L QFHD MPEG-4 H.264/AVC

59.94p/50p mode: VBR, maximum bit rate 150 Mb/s

29.97p/23.98p/25p mode: VBR, maximum bit rate 100 Mb/s

XAVC-L HD 50 MPEG-4 H.264/AVC

VBR, maximum bit rate 50 Mb/s

XAVC-L HD 35 MPEG-4 H.264/AVC

VBR, maximum bit rate 35 Mb/s

XAVC-L HD 25 MPEG-4 H.264/AVC

VBR, maximum bit rate 25 Mb/s

MPEG-2 Long GOP

CBR, maximum bit rate 50 Mbps, MPEG-2 422P@HL

XAVC-I QFHD 3840 x 2160/ 59.94p, 50p, 29.97p, 23.98p, 25p

XAVC-I HD